Summer week 1 Quadruped animation

After finishing and submitting the performance animation and body mechanics animation, I was faced with two choices: Continue to polish my previous animation OR do a quadruped animation. I chose the second one, and then I used the Douglas rig.

In quadruped animation, the following points need to be noted

1. Leg Movement in Quadruped Gaits

Quadrupeds have four legs that move in coordinated sequences, with specific patterns for different gaits. Each leg plays a distinct role in balance, propulsion, and support:

Walk Cycle (4-Beat Gait)

  • Leg Sequence: The legs move one at a time in this order:
    • Back-left → Front-left → Back-right → Front-right.
  • Foot Contact: At any moment, three legs are in contact with the ground, providing stability.
  • Timing: The duration of each step is even, creating a calm, steady rhythm. For a 24-frame cycle, each leg’s step typically spans 6 frames.

2. Timing Adjustments for Realism

The timing and spacing of leg movements affect the weight, speed, and naturalism of the animation:

  • Weight and Size: Heavier animals (e.g., elephants) require longer contact times and slower transitions to convey their mass. Lighter animals (e.g., deer) have quicker steps and sharper timing.
  • Stride Length: Longer strides are smoother, with greater spacing between leg positions, while shorter strides are choppier and more rhythmic.
  • Ground Contact: Ensure the feet “plant” and “lift” naturally, with appropriate pressure. The foot’s arc should follow gravity during the lift and compression during contact.
  • Overlapping Motion: Rear legs often begin lifting before the front legs finish their motion, creating fluidity.

3. Tips for Achieving Natural Motion

  • Spine and Head Movement: In all gaits, the spine and head add flexibility, moving in sync with the legs to maintain balance. For example, in a gallop, the spine stretches and compresses dramatically.
  • Blending Frames: Adjust in-betweens to smooth transitions between leg positions, avoiding mechanical movement.
  • Reference Timing: Use real footage or motion data to identify the exact rhythm and duration of each phase of the gait. For example, fast gaits like gallops may need fewer frames (12-16) compared to a walk (24). But this time, I will animate the walk on a 32-frame cycle for a full cycle

Week 10 : Summary-Reflecting on Artifact

After selecting the models, proceed with rendering tests in Unreal Engine to ensure compatibility and visual quality. Always prepare a Plan B in case the models from Maya cannot be imported correctly, such as alternative formats or backup models.

When creating animations, consider the complexity of cloth simulations during post-production. Ensure that limbs and the body have enough space to accommodate these simulations to avoid collisions and clipping issues. Test the cloth behavior early in the process to anticipate and solve potential problems.

During rendering, plan the style of the final video early. Define the visual tone, color grading, and overall aesthetic in advance. Finding suitable music for the rendered video post-production can be very challenging, so having a dynamic storyboard from the start is crucial. This will help in aligning the visual and auditory elements seamlessly.

For aesthetic references, aim for a streamlined selection. Focus on a few key references that embody the desired look and feel. Too many varied references can result in a final product lacking a cohesive style. Create a mood board to visually guide the project and ensure consistency throughout the production process.

Thesis title determination

My thesis topic underwent several iterations before being finalized. Initially, I intended to research color metaphors, which then shifted to Disney’s portrayal of everyday life. Subsequently, I considered comparing female characters in Ghibli and Disney films. Ultimately, I settled on exploring how Ghibli’s female characters challenge and transform traditional norms.

Reasons for Focusing on Ghibli’s Female Characters

Ghibli films often portray female characters in unconventional roles, providing a unique representation that offers a rich area for analysis. This allows for an in-depth exploration of how these characters subvert traditional gender norms.

The global influence of Ghibli makes it a significant case study in understanding how media can shape and redefine societal expectations of women. By focusing on Ghibli, the study can highlight the cultural impact and reach of these films.

Concentrating solely on Ghibli allows for a deeper, more nuanced exploration of its specific contributions to feminist discourse. This focused approach avoids spreading the analysis thin across multiple studios and ensures a thorough examination of Ghibli’s unique portrayals.

Ghibli films are renowned for their complex, multidimensional female characters. This provides ample material for a detailed study of their evolution and impact, offering valuable insights into the studio’s narrative techniques and character development.

Benefits of the Chosen Topic

This study can contribute to feminist film theory by highlighting how Ghibli’s approach to female characters challenges traditional norms and offers alternative representations. This academic contribution can enhance our understanding of gender representation in media.

A focused study on Ghibli allows for a detailed examination of specific elements, such as character development, narrative roles, and visual storytelling techniques used to depict strong female protagonists. This in-depth analysis can reveal the unique aspects of Ghibli’s storytelling.

Analyzing Ghibli’s portrayal of women can provide insights into broader cultural attitudes and shifts within Japanese society. It also offers a perspective on the studio’s influence on international audiences, contributing to a global understanding of gender representation.

With increasing attention on gender representation in media, this topic is timely and relevant. It contributes to ongoing discussions about diversity and inclusivity in film, making it a significant and contemporary area of study.

Ghibli’s beloved films and characters can engage a wide audience, making the research accessible and interesting to both academic and general readers. This engagement can help disseminate the study’s findings more broadly and effectively.

Academic Sourcing

Animationstudies 2.0https://blog.animationstudies.org/

Google Scholarhttps://blog.animationstudies.org/

JSTORhttps://www.jstor.org/

EBSCOhttps://www.ebsco.com/

Structuring a Literature Review

A literature review presents the research question and explains how it was addressed, with its length varying depending on the type of research. It should be written in a formal academic style, avoiding contractions and colloquialisms, and maintaining an objective perspective. The review should identify themes, patterns, and gaps in the existing literature, addressing questions such as why, when, where, and how. When creating an outline, you can organize it chronologically by the publication date of the sources, thematically by common themes, or methodologically by the research methods used by the authors.

Harvard Referencing Guide

Week 10 : Summary-Reflecting on This Semester

This semester has been a period of extensive learning for me. I started with Vicon motion capture, Touch Designer, and Resolume Arena. These foundational skills have opened up new possibilities for creating and showcasing my work.


Delving into Vicon motion capture, I learned the fundamentals of capturing and analyzing motion data, which allowed me to explore the intricacies of human movement. This understanding became a cornerstone for creating realistic animations and simulations in my projects.


In Touch Designer, I discovered the power of visual programming. I worked on creating interactive media and real-time visual effects, pushing the boundaries of visual storytelling. This platform enabled me to design immersive experiences, blending art and technology seamlessly.


My journey with Resolume Arena was equally transformative. I learned to manipulate visual content in real-time, perfecting my skills in live video mixing and projection mapping. This software allowed me to bring dynamic visuals to live performances, enhancing the audience’s experience.


Collaborating with peers on various projects further enriched my learning experience. Working in a team setting provided different perspectives and approaches to problem-solving, which enhanced my adaptability and integration of feedback. This collaboration honed my communication and project management skills, essential for executing complex, multidisciplinary projects.


Attending workshops and guest lectures introduced me to the latest trends and innovations in the field. These sessions offered valuable insights into real-world applications and cutting-edge research, inspiring me to think about how I could apply my newfound knowledge in practical settings. The exposure to industry professionals and their experiences provided a roadmap for navigating my future career in this rapidly evolving landscape.

In addition to technical skills, I delved into the theoretical aspects of digital media, studying design principles, user experience, and the psychological impact of visual storytelling. This holistic approach ensured that my creations were technically sound, meaningful, and engaging to the audience.


By the end of the semester, I had compiled a diverse portfolio of projects demonstrating my proficiency in these new tools and techniques. Each project showcased my growth, creativity, problem-solving abilities, and the capacity to convey compelling narratives through digital media.


In conclusion, this semester has been a transformative period of learning and growth. From mastering Vicon motion capture, Touch Designer, and Resolume Arena to exploring collaborative and theoretical aspects of digital media, I have gained a comprehensive skill set that has broadened my creative and professional horizons. I am excited to continue building on this foundation, exploring new technologies, and pushing the boundaries of what I can create and achieve in the future.

Week 20 : Summary for previous feedback on body mechanics and acting

Summary for previous :

Pre-production of animation is a crucial stage to ensure the smooth progression of the entire project. Firstly, ensure you have a clear and captivating story, which serves as the soul of the animation. The script should feature compelling characters, intriguing plotlines, and an engaging conclusion. In character design, each character should be crafted with a unique appearance and personality traits. Elaborately construct their identities, ensuring their looks and traits align with their backgrounds and personalities. Also, devise a comprehensive storyline that encompasses events before and after the animation’s occurrence.

Storyboarding serves as the blueprint for animation production, delineating the layout, shots, and actions of each scene. Crafting storyboards enables better control over the animation’s pacing and plot development. Design the animation’s scenes, including backgrounds and props, ensuring coherence with the story and character styles to enhance audience immersion.

It’s essential to establish reasonable budgets and timelines to ensure timely project completion.

Summary for body mechanics :

Creating compelling body mechanics animation requires a thorough understanding of anatomy and a keen eye for observation. Animators must study the intricacies of human or creature movements, observing real-life actions in various scenarios to inform their work. Reference footage serves as a valuable tool for dissecting specific movements and understanding the mechanics behind them. By carefully planning animations with key poses and breakdowns, animators establish the rhythm and timing necessary to bring their characters to life.

In executing body mechanics animation, attention to weight, balance, and exaggeration is crucial. Animators must ensure that their characters move with a sense of physicality, considering how gravity affects their motions and when to exaggerate movements for emphasis. Incorporating overlap and follow-through adds realism to animations, as secondary actions naturally flow from primary movements. Additionally, maintaining a clear silhouette and a strong line of action enhances the readability and impact of the animation, ensuring that viewers can easily interpret the character’s movements.

In the refinement process, meticulous attention to detail is essential, particularly in refining the curves of various body parts to ensure smooth and natural movements. Synchronizing hip movements with the overall body animation maintains coherence and fluidity, contributing to a more lifelike portrayal. Easing in and out of movements is crucial for realistic transitions, preventing abruptness and enhancing the animation’s fluidity.

Mastering timing throughout the animation is key to maintaining a cohesive and engaging flow, ensuring that movements occur at the right pace and rhythm. Additionally, observing curves for secondary objects like hands is vital, as they contribute significantly to overall animation quality, especially when visible to the camera.

Accurately conveying weight through body movements is a priority, which may involve adjusting or replacing certain leg parts for better effects. Transitioning from blocking to spline animation poses challenges, particularly in understanding center of gravity and spine movements, which require careful consideration and adjustment.

While attention to detail using tools like motion trails and the graph editor is important, it’s crucial to maintain a balanced focus on the overall animation without becoming overly fixated on specific elements. This ensures that the animation remains cohesive and visually appealing as a whole.

Summary for acting:

Body:

To enhance realism in animations, reduce exaggerated movements and incorporate drag during turning motions. Focus on aligning facial expressions and eye direction with the gaze, introduce breakdowns for smoother transitions, and shift from blocking to spline animation.

Face:

To create smoother and more realistic animations, focus on aligning facial expressions and eye direction with the gaze, introduce breakdowns between actions for seamless transitions, and shift from blocking to spline animation. Additionally, refine mouth shapes by ensuring the upper teeth remain stable and allowing the mouth corners to open wider for specific sounds.

For the mouth animation, beginning by locking the camera selection for control and importing audio to identify key words. Focus on the jaw after blocking out the main sounds. Pay attention to the detailed movements of the mouth and teeth before pronouncing sounds, like ensuring the teeth touch before saying “Talking.” Adjust the mouth corners and jaw together to reflect the character’s tone and emotion, and keyframe essential positions starting with the mouth corners. Ensure smooth timing for phrases like “Stop” and “Talking,” and carefully observe the mouth and teeth positions during speech. Specific mouth shapes are crucial: for example, the mouth forms a small “O” for “p,” teeth close quickly for “S,” and the lip bounces for “T.”

Adjust the perspective to see side views of the lips for detailed refinements, ensuring the lip movements remain natural, especially at the ends of words like “ing.” Properly adjust the teeth position towards the end and apply overlap animation to mouth movements. Fewer keyframes are needed for the nose, but it should stretch in sync with the mouth. Enhance the cheeks for expressions like “Please” or “Stop,” ensuring smooth transitions. Avoid showing the back teeth by adjusting the jaw position, as this is a common issue in animation. Following these steps helps create a natural and emotionally accurate lip sync animation.

Week 19 : Spline

Due to this week’s limited class time, the feedback focused solely on mouth shapes. The main issue highlighted was that the upper teeth cannot move independently as they are connected to the entire head skeleton. Additionally, for certain sounds like “s” or “eii,” the corners of the mouth can open slightly wider.

When pronouncing the “r” sound, it’s important to ensure that the tongue is visible. This means that the tongue should exhibit some movement rather than being completely hidden inside the mouth.

For the “BMP” syllable, it’s important to have two frames of complete closure of the mouth during pronunciation. This means that during the pronunciation of the “B” sound, the lips will completely close, and then there should also be a frame of complete closure between the “M” and “P” sounds. This ensures clarity and continuity in pronunciation.

this is the rendering for submission