This week’s feedback can be summarized as follows: in certain expressions where the eyes are not looking directly forward, the facial lines form an angle, opening in the direction of the gaze. Some actions and transitions lack breakdowns, transitioning to spline. Regarding mouth shapes, they are typically defined as trapezoids, with one side of the lips being flatter and the other having a greater curve.
When it comes to body postures, it’s important to reduce excessive movements. Drag is essential during turning movements to ensure a natural transition.
