FMP 3:Shot001-4

001,002,004, these three lenses are mainly in the middle and long distance of the focal length, which can show the details of the flowers and harlow’s overall movement trajectory. Due to the short shot time, the character moves fast. So I don’t think the blocking-spline animation method I’ve been using is as good in terms of progress and effect as the one George taught about using a cube as a way to observe the timing and spacing of the entire animation.

So I started my animation with cube. I wanted to fix my timing and spacing as early as possible, but even so, in the process of improving the animation, I occasionally broke or overruled the timing to ensure smooth animation.

This is a screenshot of different completions in the same frame

This is a video comparison of the entire animation from cube to polish stage

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