Choose a short film you would consider fits the definition of experimental. It could be from a formative or conceptual perspective, outlined in the lecture. Consider how you might present the argument using the following criteria;
• Categorisation: Genre & Sub-genre what is the works background / setting, mood / tone, theme or topic? How does it comment? Does it fit or is it unique?
• Form and Function; interpreting meaning and relating it to the format, or presentational mode (What are the artist objectives and limitations?)
• Process: The techniques, materials and technologies applied within the work and the relationships between message and medium, (Does process, technique or tool become the message?)
• Formal Elements; Use of space, composition, Light & colour, movement, rhythm, timing, pacing, transition and audio relationships. ( does the work investigate these or other formal elements?)Wells, P., 1998. Understanding animation. London: Routledge.
https://www.youtube.com/watch?v=eSTKkS0BTts
The link above is what I chose to start an analysis. The short film, named “Catharsis,” was described as a journey within one’s deepest thoughts by the author.
First, let’s discuss categorization. The background of this short film revolves around a girl who constructs an imaginative world while chatting with her friends. Despite the absence of dialogue, it is evident that the author aims to convey profound emotions through the play of lights and shadows, colors and music, as well as gestures and performances. “Catharsis” stands out as a unique short film that has garnered widespread praise.
Moving on to the form and function, the artist demonstrates remarkable skill in the use of color. Throughout the film, blue and red lights intermingle with yellow and purple light spots, creating a strong visual impact on the audience.
It is clear that the artist possesses a deep understanding of lighting and cinematic language, which closely relates to the expressions and physical performances of the characters. All these elements collectively represent the active workings of the human mind.
Finally, let’s consider the formal elements of the film. The setting appears relatively confined, focusing primarily on the character’s performance, as well as the interplay of light and shadow. The passage of time and the pace of the narrative are mirrored in the music and the range of movement. Another critical element in the film is the liquid flowing down from the character’s head. This particular scene, which might be considered the climax of the film, blurs the boundary between thought and reality, fantasy and reality.
